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<title>Oy With The Poodles Already - i_capture</title>
<description>Oy With The Poodles Already</description>
<link>http://oywiththepoodlesalready.hautetfort.com/i_capture/</link>
<lastBuildDate>Mon, 17 Nov 2008 21:20:25 +0100</lastBuildDate>
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<guid isPermaLink="true">http://oywiththepoodlesalready.hautetfort.com/archive/2008/08/23/be-right-back.html</guid>
<title>Not Goodbye, more like a See You Later</title>
<link>http://oywiththepoodlesalready.hautetfort.com/archive/2008/08/23/be-right-back.html</link>
<author>noreply@hautetfort.com ()</author>
<category>I Capture</category>
<pubDate>Sat, 23 Aug 2008 21:22:00 +0200</pubDate>
<description>
&lt;div style=&quot;text-align: center&quot;&gt;&lt;img src=&quot;http://oywiththepoodlesalready.hautetfort.com/media/02/01/1139482528.2.jpg&quot; id=&quot;media-1233050&quot; alt=&quot;back.jpg&quot; style=&quot;border-width: 0; margin: 0.7em 0;&quot; /&gt;&lt;/div&gt; &lt;div style=&quot;text-align: center;&quot;&gt;&lt;i&gt;Elaine Cassidy dans le rôle de Lucy Honeychurch dans&lt;/i&gt; A Room With a View&lt;i&gt;, la sublime adaptation ITV du roman du même nom (écrit par E.M. Forster et publié en 1908) diffusée en 2007. Le DVD est disponible en zone 2 UK.&lt;br /&gt;&lt;/i&gt;&lt;/div&gt; &lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/div&gt; &lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/div&gt; &lt;div style=&quot;text-align: justify;&quot;&gt;J'ai décidé de continuer ce blog après tout, mais avec un changement important : il n'est plus possible de commenter. Il m'en a fallu du temps, mais je me suis finalement aperçue que c'était cet aspect qui me bloquait plus qu'autre chose : je n'ai pas envie que l'on commente sur ma vie, j'en présente des tranches, c'est déjà assez difficile comme travail sur soi. J'ai très envie de parler de plein de choses : plein de lectures, d'écrans, de bouts de vie que j'aimerais exposer et déveloper ici - à tout bientôt, donc !&lt;br /&gt;&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; 
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<item>
<guid isPermaLink="true">http://oywiththepoodlesalready.hautetfort.com/archive/2008/02/24/llivres-lus-en-2008.html</guid>
<title>Livres lus en 2008</title>
<link>http://oywiththepoodlesalready.hautetfort.com/archive/2008/02/24/llivres-lus-en-2008.html</link>
<author>noreply@hautetfort.com ()</author>
<category>I Capture</category>
<pubDate>Sun, 24 Feb 2008 23:05:00 +0100</pubDate>
<description>
&lt;p&gt;Le code 00 indique une relecture : pour plus de transparence, j'ai décidé de ne pas compter les livres que j'ai déjà lus.&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;center&gt;&lt;b&gt;JANVIER&lt;/b&gt;&lt;/center&gt; &lt;p&gt;&lt;br /&gt; &lt;br /&gt; &lt;b&gt;1.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Pride and Prejudice : le roman de Jane Austen et le film de Joe Wright&lt;/span&gt; - Laurent Bury&lt;br /&gt; &lt;b&gt;2.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Family Roundabout&lt;/span&gt; - Richmal Crompton&lt;br /&gt; &lt;b&gt;3.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Le Blé en herbe&lt;/span&gt; - Colette&lt;br /&gt; &lt;b&gt;4.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Ballet Shoes&lt;/span&gt; - Noel Streatfeild&lt;br /&gt; &lt;b&gt;5.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Making of a Marchioness&lt;/span&gt; - Frances Hodgson Burnett&lt;br /&gt; &lt;b&gt;6.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Tea With Mr Rochester&lt;/span&gt; - Frances Towers&lt;br /&gt; &lt;b&gt;7.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Six Wives of Henry VIII&lt;/span&gt; - Antonia Fraser&lt;br /&gt; &lt;b&gt;8.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Yellow Wallpaper and Other Writings&lt;/span&gt; - Charlotte Perkins Gilman&lt;br /&gt; &lt;b&gt;9.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Angel&lt;/span&gt; - Elizabeth Taylor&lt;br /&gt; &lt;b&gt;10.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Mr Darcy's Diary&lt;/span&gt; - Amanda Grange&lt;br /&gt; &lt;b&gt;11.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;A l'Ombre des jeunes filles en fleurs&lt;/span&gt; - Marcel Proust&lt;br /&gt; &lt;b&gt;12.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;A Room With a View&lt;/span&gt; - E.M. Forster&lt;br /&gt; &lt;b&gt;13.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Age of Innocence&lt;/span&gt; - Edith Wharton&lt;br /&gt; &lt;b&gt;14.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Possession&lt;/span&gt; - A.S. Byatt&lt;br /&gt; &lt;b&gt;15.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Awakening and Selected Stories of Kate Chopin&lt;/span&gt; - Kate Chopin&lt;br /&gt; &lt;b&gt;16.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Enchanted April&lt;/span&gt; - Elizabeth von Arnim&lt;br /&gt; &lt;b&gt;17.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Cold Comfort Farm&lt;/span&gt; - Stella Gibbons&lt;br /&gt; &lt;b&gt;18.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Strange Case of Dr. Jekyll and Mr Hyde&lt;/span&gt; - R.L. Stevenson&lt;br /&gt; &lt;b&gt;19.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;King Richard III&lt;/span&gt; - William Shakespeare&lt;br /&gt; &lt;b&gt;20.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Home-Maker&lt;/span&gt; - Dorothy Canfield Fisher&lt;/p&gt; &lt;center&gt;&lt;b&gt;FEVRIER&lt;/b&gt;&lt;/center&gt; &lt;p&gt;&lt;br /&gt; &lt;br /&gt; &lt;b&gt;21.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Cranford Omnibus&lt;/span&gt; - Elizabeth Gaskell&lt;br /&gt; &lt;b&gt;22.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Diary of a Nobody&lt;/span&gt; - George and Weedon Grossmith&lt;br /&gt; &lt;b&gt;23.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Jane Austen : The World of Her Novels&lt;/span&gt; - Deirdre le Faye&lt;br /&gt; &lt;b&gt;24.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Closed Door and Other Stories&lt;/span&gt; - Dorothy Whipple&lt;br /&gt; &lt;b&gt;25.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Friday's Child&lt;/span&gt; - Georgette Heyer&lt;br /&gt; &lt;b&gt;26.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Middlemarch&lt;/span&gt; - George Eliot&lt;br /&gt; &lt;b&gt;27.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Diary of a Provincial Lady&lt;/span&gt; - E.M. Delafield&lt;br /&gt; &lt;b&gt;28.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Provincial Lady Goes Further&lt;/span&gt; - E.M. Delafield&lt;br /&gt; &lt;b&gt;29.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Excellent Women&lt;/span&gt; - Barbara Pym&lt;br /&gt; &lt;b&gt;30.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Provincial Lady in America&lt;/span&gt; - E.M. Delafield&lt;/p&gt; &lt;center&gt;&lt;b&gt;MARS&lt;/b&gt;&lt;/center&gt; &lt;p&gt;&lt;br /&gt; &lt;br /&gt; &lt;b&gt;31.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Provincial Lady in Wartime&lt;/span&gt; - E.M. Delafield&lt;br /&gt; &lt;b&gt;32.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Mariana&lt;/span&gt; - Monica Dickens&lt;br /&gt; &lt;b&gt;33.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Jane and the Man of the Cloth&lt;/span&gt; - Stephanie Barron&lt;br /&gt; &lt;b&gt;34.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Hostages to Fortune&lt;/span&gt; - Elizabeth Cambridge&lt;/p&gt; &lt;center&gt;&lt;b&gt;AVRIL&lt;/b&gt;&lt;/center&gt; &lt;p&gt;&lt;br /&gt; &lt;b&gt;35.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Jane and the Wandering Eye&lt;/span&gt; - Stephanie Barron&lt;br /&gt; &lt;b&gt;36.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Howards End&lt;/span&gt; - E.M. Forster&lt;br /&gt; &lt;b&gt;37.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Consequences&lt;/span&gt; - E.M. Delafield&lt;br /&gt; &lt;b&gt;38.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Saplings&lt;/span&gt; - Noel Streatfeild&lt;/p&gt; &lt;center&gt;&lt;b&gt;MAI&lt;/b&gt;&lt;/center&gt; &lt;p&gt;&lt;br /&gt; &lt;b&gt;39.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;War and Peace&lt;/span&gt; - Leo Tolstoy&lt;br /&gt; &lt;b&gt;40.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Mistress of the Revolution&lt;/span&gt; - Catherine Delors&lt;br /&gt; &lt;b&gt;41.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Good Evening, Mrs Craven&lt;/span&gt; - Mollie Panter-Downes&lt;br /&gt; &lt;b&gt;42.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Elizabeth and Her German Garden&lt;/span&gt; - Elizabeth von Arnim&lt;br /&gt; &lt;b&gt;43.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Miss Pettigrew Lives for a Day&lt;/span&gt; - Winifred Watson&lt;br /&gt; &lt;b&gt;44.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Return of the Soldier&lt;/span&gt; - Rebecca West&lt;br /&gt; &lt;b&gt;45.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Twilight&lt;/span&gt; - Stephenie Meyer&lt;br /&gt; &lt;b&gt;46.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;New Moon&lt;/span&gt; - Stephenie Meyer&lt;br /&gt; &lt;b&gt;47.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Eclipse&lt;/span&gt; - Stephenie Meyer&lt;br /&gt; &lt;b&gt;48.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Someone at a Distance&lt;/span&gt; - Dorothy Whipple&lt;/p&gt; &lt;center&gt;&lt;b&gt;JUIN&lt;/b&gt;&lt;/center&gt; &lt;p&gt;&lt;br /&gt; &lt;b&gt;49.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Hons and Rebels&lt;/span&gt; - Jessica Mitford&lt;br /&gt; &lt;b&gt;50.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Jane Austen&lt;/span&gt; - Carol Shields&lt;br /&gt; &lt;b&gt;51.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Mrs Darcy's Dilemma&lt;/span&gt; - Diana Birchall&lt;br /&gt; &lt;b&gt;52.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;A Lost Lady&lt;/span&gt; - Willa Cather&lt;br /&gt; &lt;b&gt;53.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Blaming&lt;/span&gt; - Elizabeth Taylor&lt;br /&gt; &lt;b&gt;54.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Weather in the Streets&lt;/span&gt; - Rosamond Lehmann&lt;br /&gt; &lt;b&gt;55.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Every Eye&lt;/span&gt; - Isobel English&lt;br /&gt; &lt;b&gt;56.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Young Pretenders&lt;/span&gt; - Edith Henrietta Fowler&lt;br /&gt; &lt;b&gt;57.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Frost in May&lt;/span&gt; - Antonia White&lt;/p&gt; &lt;center&gt;&lt;b&gt;JUILLET&lt;/b&gt;&lt;/center&gt; &lt;p&gt;&lt;br /&gt; &lt;b&gt;58.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Contes de la Bécasse&lt;/span&gt; - Guy de Maupassant&lt;br /&gt; &lt;b&gt;59.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Love and Louis XIV&lt;/span&gt; - Antonia Fraser&lt;br /&gt; &lt;b&gt;60.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Decca : The Letters of Jessica Mitford&lt;/span&gt; - Peter Sussman (edited by)&lt;br /&gt; &lt;b&gt;61.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Dud Avocado&lt;/span&gt; - Elaine Dundy&lt;br /&gt; &lt;b&gt;62.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Far Cry&lt;/span&gt; - Emma Smith&lt;br /&gt; &lt;b&gt;63.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Le Côté de Guermantes&lt;/span&gt; - Marcel Proust&lt;br /&gt; &lt;b&gt;64.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Bloody Chamber and Other Stories&lt;/span&gt; - Angela Carter&lt;br /&gt; &lt;b&gt;65.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Evelina&lt;/span&gt; - Frances Burney&lt;br /&gt; &lt;b&gt;66.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Celia Johnson&lt;/span&gt; - Kate Fleming&lt;br /&gt; &lt;b&gt;67.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Kate : The Woman Who Was Hepburn&lt;/span&gt; - William J. Mann&lt;br /&gt; &lt;b&gt;68.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Passion of New Eve&lt;/span&gt; - Angela Carter&lt;/p&gt; &lt;center&gt;&lt;b&gt;AOUT&lt;/b&gt;&lt;/center&gt; &lt;p&gt;&lt;b&gt;69.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Old Man and Me&lt;/span&gt; - Elaine Dundy&lt;br /&gt; &lt;b&gt;70.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Union Street&lt;/span&gt; - Pat Barker&lt;br /&gt; &lt;b&gt;71.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;All Passion Spent&lt;/span&gt; - Vita Sackville-West&lt;br /&gt; &lt;b&gt;72.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Virginia Woolf&lt;/span&gt; - Hermione Lee&lt;br /&gt; &lt;b&gt;73.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;My Brilliant Career&lt;/span&gt; - Miles Franklin&lt;br /&gt; &lt;b&gt;74.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Carmilla&lt;/span&gt; - Joseph Sheridan LeFanu&lt;br /&gt; &lt;b&gt;75.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;A Series of Unfortunate Events : The Bad Beginning&lt;/span&gt; - Lemony Snicket&lt;br /&gt; &lt;b&gt;76.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;A Series of Unfortunate Events : The Reptile Room&lt;/span&gt; - Lemony Snicket&lt;br /&gt; &lt;b&gt;77.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;A Series of Unfortunate Events : The Wide Window&lt;/span&gt; - Lemony Snicket&lt;br /&gt; &lt;b&gt;78.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Tipping the Velvet&lt;/span&gt;- Sarah Waters&lt;br /&gt; &lt;b&gt;79.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Dusty Answer&lt;/span&gt; - Rosamond Lehmann&lt;br /&gt; &lt;b&gt;80.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Mrs Palfrey at the Claremont&lt;/span&gt; - Elizabeth Taylor&lt;br /&gt; &lt;b&gt;81.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Revolutionary Road&lt;/span&gt; - Richard Yates&lt;br /&gt; &lt;b&gt;82.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Where Angels Fear to Tread&lt;/span&gt; - E.M. Forster&lt;br /&gt; &lt;b&gt;83.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Far From the Madding Crowd&lt;/span&gt; - Thomas Hardy&lt;br /&gt; &lt;b&gt;84.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Bookshop&lt;/span&gt; - Penelope Fitzgerald&lt;br /&gt; &lt;b&gt;85.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Gate of Angels&lt;/span&gt; - Penelope Fitzgerald&lt;br /&gt; &lt;b&gt;86.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Clocks&lt;/span&gt; - Agatha Christie&lt;br /&gt; &lt;b&gt;87.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;His Dark Materials : The Golden Compass&lt;/span&gt; - Philip Pullman&lt;/p&gt; &lt;center&gt;&lt;b&gt;SEPTEMBRE&lt;/b&gt;&lt;/center&gt; &lt;p&gt;&lt;br /&gt; &lt;b&gt;88.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;His Dark Materials : The Subtle Knife&lt;/span&gt; - Philip Pullman&lt;br /&gt; &lt;b&gt;89.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;His Dark Materials : The Amber Spyglass&lt;/span&gt; - Philip Pullman&lt;br /&gt; &lt;b&gt;90.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Curtain Up&lt;/span&gt; - Noel Streatfeild&lt;br /&gt; &lt;b&gt;91.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Wintle's Wonders&lt;/span&gt; - Noel Streatfeild&lt;br /&gt; &lt;b&gt;92.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Lyra's Oxford&lt;/span&gt; - Philip Pullman&lt;br /&gt; &lt;b&gt;93.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Tiger in the Well&lt;/span&gt; - Philip Pullman&lt;br /&gt; &lt;b&gt;94.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Sodome et Gomorrhe&lt;/span&gt; - Marcel Proust&lt;br /&gt; &lt;b&gt;95.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Captain Wentworth's Diary&lt;/span&gt; - Amanda Grange&lt;br /&gt; &lt;b&gt;00.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Persuasion&lt;/span&gt; - Jane Austen&lt;/p&gt; &lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;OCTOBRE&lt;/b&gt;&lt;/p&gt; &lt;p&gt;&lt;b&gt;00.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Northanger Abbey&lt;/span&gt; - Jane Austen&lt;br /&gt; &lt;b&gt;96.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Custom of the Country&lt;/span&gt; - Edith Wharton&lt;br /&gt; &lt;b&gt;97.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Robinson Crusoe&lt;/span&gt; - Daniel Defoe&lt;br /&gt; &lt;b&gt;00.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Sense and Sensibility&lt;/span&gt; - Jane Austen&lt;br /&gt; &lt;b&gt;98.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Tenant of Wildfell Hall&lt;/span&gt; - Anne Brontë&lt;br /&gt; &lt;b&gt;99.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;A House and Its Head&lt;/span&gt; - Ivy Compton-Burnett&lt;br /&gt; &lt;b&gt;100.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;Gulliver's Travels&lt;/span&gt; - Jonathan Swift&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;NOVEMBRE&lt;/b&gt;&lt;/p&gt; &lt;p&gt;&lt;b&gt;101.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;A Very Great Profession : The Woman's Novel 1914-1939&lt;/span&gt; - Nicola Beauman&lt;br /&gt; &lt;b&gt;102.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;David Copperfield&lt;/span&gt; - Charles Dickens&lt;br /&gt; &lt;b&gt;103.&lt;/b&gt; &lt;span style=&quot;text-decoration: underline;&quot;&gt;The Feminine Middlebrow Novel : 1920s to 1950s&lt;/span&gt; - Nicola Humble&lt;/p&gt; 
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<guid isPermaLink="true">http://oywiththepoodlesalready.hautetfort.com/archive/2008/02/24/number-4-privet-drive.html</guid>
<title>Number 4, Privet Drive</title>
<link>http://oywiththepoodlesalready.hautetfort.com/archive/2008/02/24/number-4-privet-drive.html</link>
<author>noreply@hautetfort.com ()</author>
<category>I Capture</category>
<pubDate>Sun, 24 Feb 2008 21:25:00 +0100</pubDate>
<description>
&lt;p align=&quot;center&quot;&gt;&amp;nbsp;&amp;nbsp;&lt;img src=&quot;http://oywiththepoodlesalready.hautetfort.com/media/02/00/89211fc32955c2859a24f580a4c55d6e.jpg&quot; id=&quot;media-866178&quot; alt=&quot;89211fc32955c2859a24f580a4c55d6e.jpg&quot; style=&quot;border-width: 0pt; margin: 0.7em 0pt&quot; name=&quot;media-866178&quot; /&gt;&lt;/p&gt; &lt;p align=&quot;justify&quot;&gt;Pourquoi ce 24 février ? La réponse la moins honnête serait que j'étais contente que quelqu'un ait surenchéri sur cette édition de &lt;u&gt;Pride and Prejudice&lt;/u&gt; que je m'en voulais d'acquérir à ce prix, que dans un accès de joie, j'ai décidé de jouer les pies sur un journal virtuel plutôt que sur un journal réel.&lt;/p&gt; &lt;div align=&quot;justify&quot;&gt;&lt;/div&gt; &lt;p align=&quot;justify&quot;&gt;Le pourquoi, le vrai, c'est que je voudrais écrire comme Cassandra mais que je n'y arriverai jamais parce que je &lt;i&gt;n'essaie même pas.&lt;/i&gt; Qu'au fond, j'en ai un peu assez des sourires que moi seule comprend et qu'il me fallait une page blanche amie pour pouvoir me forcer à écrire des mots autres que ceux d'une dissertation. Je dédie ce journal aux Cassandra Mortmain, aux Valmont, aux Anne Elliot aux airs de Sally Hawkins, à tous ceux qui me donnent envie de lire.&lt;/p&gt; &lt;div align=&quot;center&quot;&gt;&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; 
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